TRILLIUM ARTS ANNOUNCES THE RECEIPENTS OF ITS HEAR (HELENE EMERGENCY ARTIST RESIDIENCIES) AWARDS Generous Support From Donors Enabled An Increase To Six Recipients

Trillium Arts is honored to announce Annie Kyla Bennett, Angela Cunningham, Nina Kawar, Nava Lubelski, Mar Perez-Albela, and Katey Schultz as the recipients of Trillium's HEAR (Helene Emergency Artist Residencies) awards. These extraordinary artists, who are working in a variety of disciplines and hail from locations around Western North Carolina, will be in residence at Trillium during the months of February through May. The awardees were selected from a substantial application pool by a panel review process. The panel was composed of Trillium Arts Board members who based their selections on the combined criteria of artistic merit and demonstratable storm related need. HEAR opportunities are at no cost to the artists and in fact offers them a financial honorarium.
 
The HEAR project specifically supports artists residing in Western North Carolina who were significantly impacted by Hurricane Helene. Phil Reynolds, Trillium Arts President and Co-Founder notes, “Core values at Trillium include being nimble and responsive to artists’ needs. Considering the catastrophic impact of Hurricane Helene on so many regional artists, Trillium leadership felt compelled to move quickly. In early December 2024 we launched an application process for HEAR. The outpouring of interest from both applicants and donors for HEAR confirmed the value and need for this offering.”
 
The original plan, as stated in December was that with sufficient funding, Trillium would award four artists. But due to the tremendous generosity of donors, Trillium exceeded its fundraising goal for the project and is now able to increase the number of awardees to six.  

HELENE IMPACT
 The awardees all incurred significant damage due to Hurricane Helene. Damages ranged from complete loss of studios, equipment, inventory, the inability to work, and incredible physical and emotional strain. As one artist stated, “As a full-time artist, this event could potentially end my career. I am currently displaced from my studio and home and trusting that I will be able to find both soon so I can return to making my creative work. A residency in March could allow space for contemplation and possibilities of new creative projects to come to fruition.”

HEAR Artists Will Receive:

  • A $700 relief stipend

  • Private accommodations for up to seven consecutive nights in a one-bedroom, ground floor suite. Learn more about the artist suite HERE.

  • Welcome dinner

  • Restorative time to reflect, rejuvenate and create

  • Use of the grounds, including firepit, hot tub, waterfall area and walking path

  • Access to a variety of supplies and onsite creative spaces that include a contemplation gazebo and a 380 square foot open air, covered workspace. Learn more HERE.

  • Basic kitchen supplies and all household goods (towels, linens, paper products, etc.)

  • Access to high-speed fiber optic internet and laundry

MEET THE AWARDEES

"Heart Garden" by Annie Kyla Bennett

Annie Kyla Bennett
Asheville, NC

Visual Art
www.anniekylabennettart.com 
Creative Director, Art Garden AVL
www.artgardenavl.com 
Assoc VP, River Arts District Association
www.riverartsdistrict.com

 Conceptual painter exploring allegory and ecology, both social and environmental. Queer Appalachian artist, gardener, and mutualist.  Annie Kyla Bennett is painting stories of hope for the future, centering plants and our relationship with Nature. Annie is a co-founder and the creative director of Art Garden AVL, an arts collaborative creating economic opportunity and inclusive representation for artists from underserved communities. Annie is also a founding member of Medicine Heart Murals, an artist collective working to highlight environmental urgency through public art. 
Annie grew up in rural Alaska, homesteading with artist parents. They first moved to Asheville in 2007 and spent many years on the road creating art all over the country before nesting into a permanent gallery space here in 2019. Annie collects books, tools and seeds. They find inspiration in Nature and in the places where ideas intersect.

Residency Intentions:
“I will be working on dialing the details and finishing touches on The Mother Plant, a show I’ll be debuting at Asheville Fringe Arts Festival this March. The Mother Plant is an interactive, immersive art exhibition celebrating phytoremediation and all of the potentials for Regenerative Land Stewardship and renewable resource management that collaborating with the Cannabis plant can afford humanity. This installation is an exploded presentation of an art book by the same name, which is the culmination of almost 10 years of research, writing, and art making. The show includes over 40 artworks and 40 short creative writing pieces that synthesize the research going into each art piece, from cultural and historical traditions to modern scientific advancements.
 
I have two oil paintings in progress to finish for the show, and I have to decide how I’m going to manage replacing the three smaller watercolor pieces that were lost in the flood. I will either try to recreate them close to how they were, or create completely new works from the same drawings. We’ll see. I’ve been working with Fringe Fest for several years now as a venue director/stage manager, but this is my first time participating as an artist, and I am so excited!” 

"Yellow Rose" by Angela Cunningham

Angela Cunningham
Horse Shoe, NC
Visual Art
www.angelacunninghamfineart.com/
 
Angela Cunningham (b. 1977) grew up in the Bay Area of California. She studied at various art colleges eventually receiving her BFA in Drawing and Painting with a minor in sculpture from Laguna College of Art and Design. After teaching in California at LCAD and Saddleback College from 2005-2007, Angela pursued her passion for the classical techniques of drawing and painting under the mentorship of Jacob Collins at the Grand Central Academy of Art in New York City. She graduated GCA in 2011. She now teaches privately at her own studio near Asheville, North Carolina and teaches workshops at various studios nationwide. Angela is a member of the National Sculpture Society, the Portrait Society and Preserving A Picturesque America. She is also a recipient of various awards including the Morris and Alma Schapiro Achievement Award, Art Renewal Center First Place Scholarship Award, the Alfred Ross Achievement Award and more.

Residency Intentions:
“In this fast-paced world, the art of slowing down to observe and connect is invaluable. I will definitely take time to reflect on my own thoughts and allow some quiet time so I can work on some ideas that l've been wanting to start in my artwork. I'll be doing some idea sketches in drawing, painting and sculpture with the goal of cultivating a few of those ideas into some larger works. I hope to also explore Trillium's wooded outdoors so l can bring into the studio some nature to incorporate into some of the pieces.”

"Shadow" by Nina Kawar

Nina Kawar
Marshall, NC
Visual Art/Sculpture/Jewelry
www.ninakawar.com
www.pure-ritual.com

Nina Kawar is a sculptor and designer whose creative practice explores the human condition, healing, and consciousness. She aims to push the boundaries of porcelain through carving and delicate forms, while her copper jewelry is layered with metaphysics, science, and design. Many of her influences stem from psychology, biology, and spirituality.

Born and raised in a Palestinian American home in Wisconsin, Nina's sculptural work explores her multicultural lens that parallels her curiosity for patterns, perspectives, and evolution. She started her artistic journey in 2005 at San Diego Community College and received a Bachelor of Fine Arts at the University of Wisconsin-Oshkosh in 3D Design in 2011. She found her passion for porcelain at Clemson University and received a Master of Fine Arts in Ceramics in 2014. She established a studio practice at Marshall High Studios in Marshall, NC, in 2016, which was recently destroyed in Hurricane Helene. As she moves through this change, she continues to create her jewelry and explores music and painting while navigating the next step on her artistic journey. Nina will return to working with clay at an artist residency at Vermont Studio Center in February of 2025.

Residency Intentions:
“While at Trillium Arts in late March of 2025, I hope to drop into an intuitive creative space without distractions. I will be returning from a two-and-a-half-week residency a few weeks prior at Vermont Studio Center where I am granted the opportunity to work with clay for the first time since Helene. Although I do not know what I will create during that time, I hope to use the time at Trillium Arts to finish, refine, or further develop a series of work I started in February. I trust I will also devote time to my other creative outlets which include singing, guitar, writing, and painting.”

"Riddled " (detail) by Nava Lubelski 

Nava Lubelski
Asheville, NC
Visual Art
www.navalubelski.com
www.traceymorgangallery.com/exhibitions/nava-lubelski
@navalubelski

Nava Lubelski was born and raised in New York City and lives in Asheville, NC. Lubelski's work has been exhibited widely at museums such as the Queens Museum of Art; the Museum of Arts & Design in NYC; the San Diego Museum of Art; the National Museum of Decorative Arts and Design in Oslo; the Mint Museum in Charlotte, NC and the Asheville Art Museum. She has shown solo or semi-solo with Tracey Morgan Gallery in Asheville, NC; LMAKprojects in New York, OH&T Gallery in Boston, P|M Gallery in Toronto, Luis de Jesus in Los Angeles and Margaret Thatcher Projects in NYC. Additional solo/group exhibitions have included numerous university, commercial galleries and small museums nationally, as well as venues in Stockholm, Sydney and Berlin. Lubelski's work has been reviewed in The New York Times, LA Times, Toronto Globe and Mail, Art Forum, ArtNews and The Village Voice, was the subject of a feature in American Craft, and has been included in many international contemporary art books, such as Radical Decadence, (New York: Bloomsbury Academic, 2017) and De Fil en Aiguille (Paris: Pyramyd Editions, 2018). She has received grants from The Pollock-Krasner Foundation, the New York Foundation for the Arts, the Center for Crafts and the North Carolina Arts Council, Lubelski received a degree in Russian Literature & History from Wesleyan University and spent a year as a student in Moscow, Russia.

Residency Intentions:
“During the residency I plan to work on a large-scale piece combining stitching and paint, created from discarded vintage linens and memorializing lived experience. This piece is a continuation of a series begun last summer while in residence at Center for Craft in Asheville and for which I don't currently have sufficient space in my home studio.”

Mar Perez-Albela
Asheville, NC
Musician/Songwriter/Producer

@marmusicofficial
marmusicofficial.com
oyelomusicproductions.com
Spotify

Hailing originally from Peru singer/songwriter and multi-instrumentalist, M A R landed in Appalachia 28 years ago to pursue his passion for music. He honed his craft during his years at Mars Hill University, FSU, and later on in Miami, FL where his career took off with the Song of the Year award (2007) for his single Busca Tu Voz. Winner of the Premio Orgullo Peruano (2009), M A R honors with love and loyalty the place where he grew up and began playing and singing at a very young age. Drawing from his South American roots, as well as blues, and folk from his journey through North America, M A R infuses his music with indie-flavored acoustic guitars, and charango: a traditional string instrument from the Andes. 

With his second album Lineas 1000, and later with the third release of The One (2015) M A R toured cities in North, Central, and South America. He has shared his music on national radio, and television networks such as Azteca TV, Telemundo, Mega TV, in the US and in Latin America. In 2019, M A R landed a collaboration with renowned LA music producer Billy Lefler (Ingrid Michaelson, Dashboard Confessional) for the making of his EP I AM I, which sold out for its release night in February 2020. After the pandemic, In June 2022, M A R launched a latin-urban song in a “call back to life” called Vuelve a La Vida. Later in August the indie-electronic single Hollow became popular on the streaming platforms in Finland.


As a social justice and equality advocate, M A R strongly believes in bringing people together, and working towards a common goal. Founder of Óyelo Music Productions, and recipient of LGTBO+ Music Forward Foundation Emerging Artist Award 2022, he enjoys collaborating with many like-minded creatives.That same year, M A R debuted an original and autobiographical piece in junction with American-Peruvian artist Gina Cornejo (she/they) at the iconic A Swannanoa Solstice at the Wortham Theater in Asheville, which had him return as guest artist on December 2024. You can catch him solo at a show, or with his band M A R & The Marmeladies, or his newly formed Cumbia band Las Montañitas. Currently, M A R is producing a new single that will be out early Spring 2025.

Residency Intentions:
“I am so stoked and grateful to have this time and space at Trillium Arts! It will give me an opportunity to relax, just be present and create. I intend to use this residency to dive into songwriting! I’ll bring my acoustic guitar, my charango and my mobile production rig with me and I will sit to download the songs that have been waiting to be written. Hopefully a new album!”

Katey Schultz
Burnsville, NC

Writer
www.kateyschultz.com
www.writeability.org/

Katey Schultz is the author of Flashes of War, which the Daily Beast praised as an “ambitious and fearless” collection, and Still Come Home, a novel, both published by Loyola University Maryland. Honors for her work include North Carolina’s Sir Walter Raleigh Award for Fiction, the Linda Flowers Literary Award, Doris Betts Fiction Prize, Foreword INDIES Book of the Year award, gold and silver medals from the Military Writers Society of America, the Chicago Writers Association Book of the Year award, five Pushcart nominations, a nomination to Best American Short Stories, National Indies Excellence recognition, and writing fellowships in eight states. She lives in Celo, North Carolina, and is the founder of two businesses for writers: WRITEABILITY, a nonprofit in defense of the imagination; and Monthly Mentorship, a transformative mentoring program for creative writers that has been recognized by both CNBC and the What Works Network.

Residency Intentions:
"I will spend my time resting, reading, and reviewing the first draft of my novel in anticipation of doing some deeper revision work later this summer. There has been little time to simply reflect, since Helene, and so I am also open to following my creative imagination wherever it needs to go during my residency. It will be interesting to see what emerges when I finally have the space for silence, solitude, and relative safety (i.e., no pressing shelter, phone, wi-fi, electricity, road, bridge, or neighborhood safety issues)."

SPECIAL THANKS

Special Thanks to the following supporters who are making the HEAR project possible: the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources, with funding from the North Carolina Arts Foundation's North Carolina Arts Relief Fund, the National Endowment for the Arts, and South Art's Southern Arts Relief and Recovery Fund; Paul and Janine Allen; Cassilhaus Artist Residency; The Dorothy Fund at The Chicago Community Foundation; Betty and Fred Gittenger; Pamela Green; Karen Tarjan; Brent and Karen Woods.

Announcing HEAR: Helene Emergency Artist Residencies

Trillium Arts Launches HEAR - a New Residency Project in Response to Hurricane Helene

Wintertime Sunset at Trillium. Photo by Phil Reynolds.

Trillium was miraculously spared from any significant damage from Hurricane Helene. Tragically, this is not the case for many artists in our region who have lost homes, studios, supplies and commercial inventory. We feel and HEAR their pain, suffering and loss.
 
Core values at Trillium include being nimble and responsive to artists’ needs. Considering the catastrophic impact of Helene on so many regional artists, Trillium is reacting with a new project, Helene Emergency Artists Residencies (HEAR) for artists residing in Western North Carolina. We HEAR about their devastation, and we care.

Western North Carolina artists of all disciplines substantially impacted by Hurricane Helene are invited to apply.  This new opportunity provides a variety of relief benefits to arts professionals working in literary, media, performing, visual, and interdisciplinary arts. This regional residency is open to arts professionals 18 years or older who reside in the 26 counties in Western North Carolina impacted by Hurricane Helene. 

With sufficient funding, Trillium Arts will offer four HEAR awards in early 2025, at no cost to the artists.

Flood Map from the North Carolina State Climate Office. Yellow dots indicate major flood areas.

HEAR Artists Will Receive:

  • A $700 relief stipend

  • Private accommodations for up to seven consecutive nights during the months of February or March 2025 in a one-bedroom, ground floor suite. Learn more about the artist suite HERE.

  • Welcome dinner

  • Restorative time to reflect, rejuvenate and create

  • Shared use of the grounds, including firepit, hot tub and waterfall area

  • Use of a variety of supplies and onsite creative spaces that include a contemplation gazebo and a 380 square foot open air, covered workspace. Learn more HERE.

  • Basic kitchen supplies and all household goods (towels, linens, paper products, etc.)

  • Access to high speed fiber optic internet and laundry


Eligibility

  • Applicants must currently reside in one of the affected counties and be 18 years of age or older.

  • Applicants must be activity working in one of the following artistic fields: literary, media, performing, visual, and interdisciplinary arts

  • Applicants must have been substantially impacted by Hurricane Helene.

  • Artists at any stage of their careers are invited to apply. There is no application fee.

  • This opportunity is intended for individual artists; nonprofits are not eligible.


TIMELINE
Applications are being accepted NOW. Applications for HEAR are reviewed by a panel. The deadline to apply is Friday, January 3, 2025 at 11:59pm. 

The application is intentionally short & only requires applicants to complete a handful of questions and upload supporting documents.


LEARN MORE AND START YOUR APPLICATION HERE
 

Artful Impact 2024 Fundraiser! Featuring Orlando Corona, Trillium Artist in Residence

Live Art and Jazz on December 6th! Proceeds Benefit the Community Housing Coalition

Trillium is delighted to be part of this upcoming fundraiser on Friday, December 6 to benefit the Community Housing Coalition (CHC) of Madison County. Event proceeds will support CHC’s vital mission of providing safe and healthy homes for those affected by Hurricane Helene.

We are grateful to our friends at Mars Landing Galleries for putting this amazing event together! A special highlight will be speed painting by Orlando Corona, Trillium's Fall 2024 Artist in Residence. Orlando's artwork will be inspired by the live jazz performance by the Mark Guest Jazz Trio.  Orlando will speed paint two canvases that evening, at 5:30pm and 6:45pm.

The canvases will be raffled off and folks can purchase raffle tickets at the gallery through December 20. Proceeds from the raffle of Orlando's paintings go directly to CHC.

But wait, there's more! Mars Landing Galleries is currently exhibiting work by over twenty incredibly talented visual artists. Throughout November and December 2024, Mars Landing will donate 20% of all fine art gallery sales to support CHC and those who are desperately in need. 

You can shop the art collection online HERE and support a great cause!

This event is co-sponsored by the Madison County Arts Council and by the North Carolina Arts Council, a division of the Department of Natural and Cultural Resources.

Announcing Orlando Corona As Trillium's Fall 2024 Artist in Residence

Trillium Arts is delighted to welcome Orlando Corona of Greenville, SC as our Fall 2024 Artist in Residence this December. Orlando will spend a week at Trillium's Artist Suite to rejuvenate and further his visual art practice. Orlando  was selected from an application pool based on his artistic merit and his commitment to exploring new techniques while engaging with nature here at Trillium. We can’t wait to see what emerges from his creative inquiry!

Website/Portfolio: orfamivisualart.com
Instagram: 
orfamivisualart

Orlando Corona is a prolific young artist located in Greenville, South Carolina. He specializes in painting, printmaking and murals, starting only a few years ago but exceeding expectations by becoming a successful professional artist in the Upstate and beyond. Orlando draws deep inspirations from his roots as a first-generation Mexican immigrant, and strives to tell stories about his own experience, yet outgrow cultural stereotypes and limits. He aims to inspire others through his work and be an integral part of his community and the world.

Artist Statement:
"At the Trillium Arts residency, I look forward to using the secluded, serene space to improve my watercolor and ink painting skills by drawing inspiration from the surrounding scenery. By immersing myself in this physical and mental space, I know I will be able to focus on my goals and do what I love- create and make meaningful art."
 

Trillium Arts Awards Three North Carolina Choreographic Fellowships in 2024

Trillium Arts is delighted to announce Kristi Vincent Johnson, Nicole Vaughan-Diaz and Chris Yon and Taryn Griggs as awardees of Trillium's second annual North Carolina Choreographic Fellowship Award. These extraordinary artists, who hail from locations around the state, will be in residence at Trillium during the months of August and September. Each group will be joined by their dancers and/or key collaborators to advance their projects toward completion.

THE NORTH CAROLINA CHOREOGRAPHIC FELLOWSHIP (NCCF), launched in 2023, provides established North Carolina based choreographers and their dancers with a full menu of resources and benefits including private lodging, rehearsal space, administrative mentorship, per diems and a $1,000 honorarium. If they so choose, NCCF awardees may opt to engage/interact with Trillium's growing cohort of regional and local artists. NCCF residencies are seven to nine days in length, providing space and time to deepen creative endeavors and rejuvenate in the beautiful Blue Ridge mountains. 

Following an open call application process earlier this spring, a panel reviewed a robust and competitive set of applications. The panel selected the awardees with a priority given to artists who are at a catalytic point in their career and/or are actively incubating a new project for future public presentation.


“The 2024 Awardees were selected as Trillium's NCCF Fellows not only because of their artistic merit, but also because their projects reflect a diverse range of ways that dance holds up a mirror to our contemporary times," says Phil Reynolds, Trillium Arts President. "Trillium is honored to support these artists who enhance the creative community for the entire state of NC."

MEET THE AWARDEES

Kristi Vincent Johnson. Photo courtesy of the artist.

KRISTI VINCENT JOHNSON

Durham, NC
Instagram: @profkvj

Kristi Vincent Johnson, a Louisiana native, is an artist-educator, choreographer, filmmaker, and scholar whose work transcribes the joys, struggles, triumphs, and tragedies that shape our identity and define our shared humanity. Over her two-decade career in higher education, Kristi has created more than 40 choreographic works and has received commissions from organizations such as The Ernie Barnes Foundation and the NC Museum of Art. Her acclaimed films, I Want To Ask The Trees and The Communion of White Dresses based on the poetry of the NC Poet Laureate, Jaki Shelton Green, have been presented in such festivals as the San Francisco Dance Film Festival, the Longleaf Film Festival, the San Francisco Arthouse Film Festival, and the Black Truth Film Festival. Her creative work for both stage and film exemplifies the high value she places on community and collaboration. As a result, Kristi was selected as the 2021 NC Campus Compact Engaged Faculty Scholar to initiate community-campus partnerships and advance the scholarship of engagement at her respective institution. Kristi Vincent Johnson holds a Master of Fine Arts in Dance from Texas Christian University and a Doctorate of Education in Kinesiology from UNC Greensboro. Currently, she serves as Assistant Professor and Director of Dance at North Carolina Central University, where she is the Founder and Artistic Director of the Repertory Dance Company.

FELLOWSHIP PLANS:
"During my residency, I plan to start production on my new film, "Black Being," which is inspired by the powerful poetry of Jaki Shelton Green, the NC Poet Laureate. The location, which covers 22 acres of stunning land, provides an ideal environment for exploring site-specific choreographic prompts and developing ways to integrate the natural spaces with choreographic intention. We will use these movement explorations to investigate approaches to creating a harmonious relationship between the movement, the landscape, and the figurative language used to illustrate the theme of “perseverance" highlighted in the poem. This program promises to be a transformative experience beyond anything a typical studio could offer, as it will challenge us as artists to embrace risk-taking and employ innovative techniques essential to crafting thought- provoking and aesthetically satisfying work. Upon completion of the film, my intention is to submit it to a variety of film festivals, with the goal of broadening the reach and recognition of documentary poetry, dance, and film."

Nicole Vaughn-Diaz. Photo courtesy of the artist.

NICOLE VAUGHN-DIAZ

Asheville, NC
Website: nvdproject.com
Instagram: @nvdproject
Facebook: www.facebook.com/nvdproject

Nicole Vaughan-Diaz is a choreographer, performer, and filmmaker, based in Asheville, North Carolina. Originally from Miami, FL, Vaughan-Diaz earned a BFA in Dance Performance from the University of South FL (2013), where she was granted the BRAVO and Hope Rietschlin scholarship awards for exceptional artistry.
 
As a performer, Vaughan-Diaz has been an integral member of the critically acclaimed Kate Weare Company (NYC), from 2013 to current. Additionally, Vaughan-Diaz has performed works by Doug Varone, Rosie Herrera, Sasha Waltz, Michael Foley, Kate Hilliard, Luke Murphy, and ODC/Dance.

In 2019, Vaughan-Diaz founded NVD Project, and has since presented work at venues including: Judson Memorial Church (NYC), The Public Theater (NYC), Arts on Site (NYC), and more. Vaughan-Diaz’s choreographic work has been hand-selected and presented by The Future Dance Festival (NYC), the North Carolina Dance Festival (Greensboro, NC), and was awarded the Challenge Winner Award (2019) for the 24th Annual DanceNOW Festival of New York City. In 2023, Vaughan-Diaz was commissioned by the American Dance Festival to present a new work as part of the Made In NC series, and was recently named a 2024 ‘Artist in Residency’ at the Baryshnikov Arts Center in New York City.

FELLOWSHIP PLANS:
Nicole Vaughan-Diaz’s intention with the Trillium Arts NC Choreographic Fellowship is to begin reviving her long-awaited evening-length piece titled, Maeror; originally crafted in NYC and placed on hold following the effects of the Covid-19 pandemic. The piece, named after the Latin word for ‘grief’, is a trio dance performance about exactly that – the lasting impact of grief and the many forms and faces it often emulates. Through sophisticated and risky partner-work, carefully curated gestural phrasing, and tender thought-provoking imagery, the work aims to seek collective growth and understanding surrounding loss, in hopes of learning how to best recognize and support each other during times of
bereavement. The Trillium Fellowship will allow the work time and space to be reawakened to a new cast of performers and to continue developing material critical to shaping the narrative of the piece. Nicole will be joined by two dance artists and a filmmaker to document her process.

The Yoggs. Photo courtesy of the artist.

CHRIS YON AND TARYN GRIGGS (THE YOGGS) 
Winston-Salem, NC

Website: chrisandtaryn.com
Instagram: @vodvilyon and @taryngriggs

Taryn Griggs and Chris Yon create original dance works that are deadpan slapstick, understated melodrama, autobiographical science fiction, cubist vaudeville, asymmetrically consonant explorations of magic and virtuosity in everyday movement.  They met at the Bessie Schönberg Artist Residency at The Yard in 2002 and have been working together ever since. They were participants in the dance communities of New York City, Minneapolis, and Iowa City, before moving to Winston-Salem.  Chris and Taryn’s choreographies have been presented across the US, Canada, Ireland, and France. In New York, in addition to the presentation of their work at La MaMa, Dance Theater Workshop, PS122, The Kitchen, and Danspace Project, they appeared together in the work of David Neumann, Yoshiko Chuma, Karinne Keithley Syers, and Sara Rudner.  During their years in the Twin Cities, they were both McKnight Fellows, co-curators for Choreographer’s Evening at the Walker Art Center, and their work was presented as part of the Walker’s Momentum Dance Series at The Southern, Red Eye Theater’s Isolated Acts, Jaime Carrera’s Outlet Performance Festival, and 9x22 at the Bryant Lake Bowl.

Since moving to Winston-Salem, their work has been commissioned by the North Carolina Dance Festival (NCDF), American Dance Festival (ADF), and they have developed a platform for new work and collaborations through Interstitial: A site specific dance during the changeovers between art exhibits at the Southeastern Center for Contemporary Art.  Griggs teaches at UNCSA, Yon at Appalachian State University.   Their current project is Yoggs Family Newsletter (2014-present) which has been workshopped Southeastern Center for Contemporary Arts (WS,NC) as part of their Interstitial series, The Southern Theater (MPLS) part of the Candy Box Festival, Goodyear Arts Center (CLT) as part of the North Carolina Dance Festival, as part of the Modes of Capture Symposium (Limerick, IE),, and this spring at La MaMa Moves (NYC).  It is receiving generous residency support through the second annual Trillium Arts North Carolina Choreographic Fellowship ahead of its premiere at the Nasher Art Museum co-presented by the American Dance Festival on September 12, 2024.

FELLOWSHIP PLANS:
As part of their Trillium Arts North Carolina Choreographic Fellowship Residency, Chris Yon and Taryn Griggs will be working on an evening length version of their Yoggs Family Newsletter, a dance that explores memory and how one family tells its story narrated by their daughter Bea, ahead of its premiere at the Nasher Art Museum co-presented by the American Dance Festival on September 12.  They will be joined in residence by collaborators: theater director Cindy Gendrich and video artist Steve Morrison. They will be using the Red Barn Studio at Trillium as a proxy for the great hall at the Nasher Museum where the Yoggs and their collaborators will experiment with how to integrate the audience into their trio as momentary chorus members to their family stories, dances and drawing games.

Congratulations to this year's awardees! 
Follow Trillium Arts on Instagram to witness how these Fellowships progress!

Announcing Xavier Nunez as the Recipient of the 2024 ACE Fellowship in Dance!

Trillium Arts is delighted to announce Xavier Núñez, Joffrey Ballet dancer, choreographer, and co-founder of Action Lines, as the recipient of its fifth annual ACE (Asheville/Chicago Exchange) Fellowship in Dance. Xavier will be joined at Trillium by filmmaker Tim Whalen of Big Foot Media, and  Evan Boersma and Olivia Duryea , dancers from the Joffrey Ballet. The group will be in residence at Trillium July 21-28.  During their Trillium residency, the creative team will begin work on the second in a series of dance films titled Mates For Life. The first film, directed by Whalen and choreographed by Núñez,  was inspired by whopping cranes. The next iteration is motivated by barn owls, which, as do whooping cranes, mate for life.


THE ACE FELLOWSHIP provides established Chicago-area choreographers and their dancers with a full menu of resources and benefits including air transportation between Chicago and Asheville, a rental car, private lodging, rehearsal space, and an honorarium/per diem. If they so choose, ACE Fellows may opt to engage/interact with Trillium’s Western NC Artist Roster for onsite experimentation and collaboration with a growing cohort of regional and local artists. Each ACE Fellowship is seven to nine days in length, providing space and time to rejuvenate and deepen creative endeavors in the beautiful Blue Ridge mountains. ACE Fellowship awardees are selected by invitation. 

“Xavier Núñez was selected as the 2024 ACE Fellow based on his tremendous artistic merit and the quality of a truly unique dance film project about barn owls that he and his collaborators will advance while here at Trillium,” states Phil Reynolds, Trillium Arts President. Trillium is delighted to support this innovative work that aligns dance with conservation.

MEET THE AWARDEE

Photo of Xavier Núñez, courtesy of the artist.

Xavier Núñez

Websites: Joffrey.org and Actionlines.com
Instagram: @xaviernunezv and @action_lines

Born in Caguas, Puerto Rico, Xavier Núñez  embarked on his dance journey at age ten at The Hartt Community Dance Division in Hartford, Connecticut, becoming the first dancer in his family. He continued his training at the International Ballet Academy in Cary, NC, under Miguel Campaneria in 2010.
 
In 2012, he earned the silver medal at the World Ballet Competition, propelling him to join the American Ballet Theatre Studio Company under the guidance of Kevin McKenzie and Franco De Vita. Here he performed in international galas in Italy and France, performing George Balanchine’s Tarantella and Alexei Ratmansky’s Le Carnaval Des Animaux. Xavier's path led him to The Tulsa Ballet in 2013, where he performed in productions including The Sleeping Beauty, A Midsummer Night’s Dream, and Cinderella. In 2017, Xavier took part in the Concours de Opera National de Paris, earning him 6th place and a contract for the 2017-2018 season with the Paris Opera Ballet.
 
In 2018, Xavier proudly became a member of the Joffrey Ballet, a momentous step in his career. Since then, he has been privileged to grace the stage in lead roles, performing in acclaimed productions such as Yuri Possokhov's Anna Karenina, John Neumeier's The Little Mermaid, and more. Xavier's recent choreographic achievements include the creation of a new performance for the Joffrey's "Winning Works" program, and Cosmic Rhythms at Chicago's Adler Planetarium. 
 
Beyond his onstage achievements, Xavier Núñez's entrepreneurial drive led him to co-found a creative studio, Action Lines, with talented peers Dylan Gutierrez and Eric Grant. He creatively directs and choreographs, aiming to fuse dance, education, and entertainment for a fresh perspective on the industry, enhancing its connection to our community.

COLLABORATOR:
TIM WHALEN
Websites: matesforlife.co, bigfootcreates.com and timwhalen.com
Instagram: @matesforlifefilm@Big_Foot_Media and @timjwhalen

Tim Whalen is a commercial director and short form doc-filmmaker. He is engaged with many non-profits, using video to further mission and extend their reach through storytelling. He has worked for several years with Chicago performing arts organizations such as Lyric Opera of Chicago and The Joffrey Ballet, as well as conservation organizations including The Nature Conservancy, Ducks Unlimited and Pheasants Forever. He has told stories for major corporate brands and organizations including Nestlé Purina, The University of Michigan and Gerber as well as small businesses in the craft beverage industry. Tim is a native of Michigan and a current resident of Chicago, IL where he owns a small production company, Big Foot Media.

FELLOWSHIP PLANS:

Behind-the-scenes photo as Núñez choreographs during the filming of "Mates for Life: Whooping Crane."

Xavier Núñez and Tim Whalen’s intention during their residency at Trillium Arts is to start work on a dance film titled Mates For Life: Barn Owl. Mates For Life: Barn Owl will be the second film in a series about animal species that mate for life. The first in the series, Mates For Life: Whooping Crane, was released in 2023 and has been screened at national and international film festivals.
Behind-the-scenes photo as Núñez choreographs during the filming of "Mates for Life: Whooping Crane."
 
Núñez is specifically interested in choreographing at Trillium because its dance studio is housed in The Red Barn Studio at Odonata Farm,  an eighty-year-old tobacco and hay barn: https://www.trilliumartsnc.org/the-red-barn-studio. There could be no more authentic, inspiring space to begin creating choreography for a dance film about barn owls.The intimate interpretation inspired by birds’ movement will engage both supporters of dance and conservation, resulting in heightened awareness and support for both causes.


TAKING FLIGHT: MEET THE ARTISTS

Come soar with us on July 27th!
Trillium Arts invites you to a magical evening with the artistic team and Orion, a live barn owl.

Orion, the Barn Owl.

EXPERIENCE an open rehearsal with choreographic excerpts from “Mates For Life: Barn Owl” the second dance film collaboration by Nunez and Whalen, performed in the Red Barn Studio by amazing dancers from the world renowned Joffrey Ballet.
VIEW a film screening of “Mates For Life: Whooping Crane," 
MEET Orion, a barn owl from Carolina Mountain Naturalists.
ENJOY libations & delicious appetizers.

Taking Flight
Saturday, July 27, 2024

4:00pm - 7:00pm
The Red Barn Studio at Odonata Farm
5640 Paint Fork Rd.
Mars Hill, NC 28754
Tickets: $30. Space is limited and advance purchase is advised.

PURCHASE TICKETS

 

Special Thanks to the Sponsors of the 2024 ACE Choreographic Fellowship:

Patti S. Eylar and Charlie Gardner, and Hallie Rehwaldt.


Taking Flight is sponsored by the Madison County Tourism Development Authority.


Kim Crutcher Awarded The 2024 "Miss Sarah" Fellowship

Trillium Arts is delighted to announce Kim Crutcher of Chicago, IL as the 2024 awardee for the “Miss Sarah” Fellowship for Black Women Writers. The Fellowship, named in honor of Sarah M. Johnson of Hickory, NC, aims to provide Black women writers a restful environment conducive to reflection and writing. It also offers uninterrupted time to plant the seed of an idea for a new writing project or to develop or complete a project underway.  Learn more about the "Miss Sarah" Fellowship Program.
 
A panel of esteemed black women writers reviewed 45 competitive applications that were received from around the country in the genre of Fiction. The panel ultimately awarded the Fellowship to Ms. Crutcher for the 2024 cycle. The “Miss Sarah” Fellowship offers a variety of benefits including a $1,000 honorarium, transportation, and accommodations for ten days in July at the Trillium Arts artist residency location in rural Mars Hill, NC and/or at “Montford Manor” in downtown Asheville, NC.

About the “Miss Sarah” Fellowship Awardee:

Kim Crutcher is a licensed psychotherapist and ordained Interfaith Minister. She tells, shares, makes up and listens to stories as a mode of healing and a method of providing education to the communities that welcome her in as a teacher, preacher, facilitator or artist. Currently, Kim is the Herbalism Conductor for Urban Growers Collective’s Herbal Apprenticeship Program in Chicago IL. She has a private psychotherapy practice serving individuals, groups and families; and she leads public and private rituals for celebrations, life transitions, as well as communal and organization change. Kim is a long-term artistic associate with MPAACT Theatre where she has been directing new plays for over twenty years. Having been raised in a community and family that valued storytelling and storytellings has led her to value story as one of the most powerful medicines available to our species.

Fellowship Plans

“I will use the quiet of the Trillium Arts residency to write my novel. The working title is Buffaloed; and the main characters emerged as minor players in a children's play that I wrote and directed almost twenty years ago. In the novel the two main characters move between realms as the woman goes on a quest to save the man in both body and soul. The most difficult portions to write have been the chapters when each character is moving from one ‘realm’ or way of knowing, into a new realm. Both characters have multiple entrances into liminal spaces, of communicating with spiritual and/or mythical beings, and of learning the rules of those new realities. I welcome the deep quiet to define the subtleties of such transitions. The hope is that readers will feel that it is possible that forces like Nature and Creation are on our side; are with us; are supportive of our desires. My experience will offer a retreat like state of peace that allows a different type of listening than what is available to me at my dining room table in downtown Chicago."
 

About the Review Panelists

Omi Osun Joni L. Jones is an artist/scholar/facilitator who employs Black Feminist principles and theatrical jazz aesthetics in her work.  Her original performances include sista docta, a critique of academic life, and Searching for Ọ̀ṣun, an ethnographic performance installation around the Divinity of the River.  Her most recent book is Theatrical Jazz: Performance, Àṣẹ, and the Power of the Present Moment, a collaborative ethnography focusing on three theatrical jazz practitioners.   Omi is Professor Emerita from the African and African Diaspora Studies Department at the University of Texas at Austin.
 
Beverly Guy-Sheftall, Ph.D, is Founding Director of the Women's Research & Resource Center at Spelman College and Anna Julia Cooper Professor of Women's Studies. She is past president of the National Women's Studies Association (NWSA) and a member of the American Academy of Arts and Sciences. She also edited Words Of Fire: An Anthology of African American Feminist Thought and co-authored with Johnnetta B. Cole Gender Talk: The Struggle For Women's Equality In African American Communities.

Natasha Trethewey served two terms as the 19th Poet Laureate of the United States (2012-2014). She is the author of five collections of poetry, including Native Guard (2006)—for which she was awarded the 2007 Pulitzer Prize—and, most recently, Monument: Poems New and Selected (2018); a book of non-fiction, Beyond Katrina: A Meditation on the Mississippi Gulf Coast (2010); a memoir, Memorial Drive (2020) an instant New York Times Bestseller; and The House of Being, a meditation on writing, forthcoming this April. She is the recipient of fellowships from the Academy of American Poets, the National Endowment for the Arts, the Guggenheim Foundation, the Rockefeller Foundation, the Beinecke Library at Yale, and the Radcliffe Institute for Advanced Study at Harvard. She is a fellow of the American Academy of Arts and Sciences, the American Academy of Arts and Letters, and the American Philosophical Society. In 2017 she received the Heinz Award for Arts and Humanities. A Chancellor of the Academy of American Poets since 2019, Trethewey was awarded the 2020 Rebekah Johnson Bobbitt Prize in Poetry for Lifetime Achievement from the Library of Congress. In 2022 she was the William B. Hart Poet in Residence at the American Academy in Rome. Currently, she is Board of Trustees Professor of English at Northwestern University.


THANK YOU to the Supporters of Trillium's Triple Match Campaign!

Thank you to all below who helped us exceed our Trillium@Three $3,000 goal of new or increased contributions to be matched three times by an extraordinarily generous anonymous donor. What a great way to embark upon Year Four!
 
Anonymous (x3), Sandi & Carl Alguire, Ariel Ashwell, Lyn Benjamin, Ann Boyd, Lindsay Chase-Lansdale, Jill Chukerman, Scott Ferwerda, Melissa Fraterrigo, Meg Grundy, Heather Hartley & Phil Reynolds, Lynette & Eric Hartley, Tim Hendrickson, Joyce Huggins, Bertram Johnson, Ayako Kato, Gary & Lucia Lund, Susan Manning & Douglas Doetsch, Dr. Dwight A. McBride, Michael McStraw, Rick & Connie Molland, Deenie & Brad Owen, Anne Rawson, Kevin & Mary Rechner, Connie Regan-Blake, Susan & William Sewell, WNC Dance Academy, Richard & Amy Woodbury.


Meet Trillium's Spring 2024 Resident Artists!

Trillium Arts Announces An Exciting Lineup of Spring 2024 Resident Artists

Trillium Arts is delighted to welcome a roster of four individual artists from across North Carolina and around the U.S. this May and June. The awarded artists are working in a variety of disciplines and will each have a solo week at Trillium's Artist Suite to rejuvenate and further their creative endeavors. They were selected from an application pool based on their artistic merit and the quality of the exciting projects they will advance while here at Trillium. We can’t wait to see what grows out of these residencies this spring!

MEET THE SPRING 2024 ARTISTS

JOHN ALLEN
Knoxville, TN
https://www.johnallenart.com/

John Allen is an artist working in drawing and photography residing in Knoxville, Tennessee. John is active in community art organizations and teaches locally at Pellissippi State Community College as an adjunct instructor. John's artwork explores the complexity of our relationship to ecology through exploring the idea of interdependence and mutuality with our relationship to animals.
 
Residency Plans: "At the Trillium Arts residency, I am interested in making work exploring invasive species within the Blue Ridge and Smoky Mountains. This work will expand upon recent artwork addressing the environmental impacts of the Anthropocene within Southern Appalachia. Inspired by research which has included volunteerism and discussions with park rangers, the work will depict ecological and cultural changes to the Great Smoky Mountains National Park and region, both past and present. Examples include the recent expansion of the Armadillo into a region which would have previously been considered too warm for them, the impacts that reintroduced elk have had on exacerbating traffic problems, and the presence of coyotes in occupying an ecological niche formerly held by wolves."

ALLY HETZER
Detroit, MI
https://allyhetzer.com/

Ally Hetzer is a painter and sculptor working in Detroit, MI who has earned her BFA in Studio Art at the College for Creative Studies. Her paintings and sculptures arise from the surrealist known process of automatism, or the expression of the unconscious mind. With the role of intuition and themes of mortality, religion, and identity, her work creates a space of unadulterated introspection.
 
Residency Plans: "During my residency at Trillium Arts, I will focus on the two-dimensional transformation of three-dimensional objects. I will be studying four of my original bronze sculptures, Cerberus, Mom’s Embrace, Mary, and Running Man, and use them as a reference for a series of paintings. The goal of the studies is to translate these anthropomorphic sculptures onto canvas, so I can explore each figure’s idiosyncrasy between mediums. I look to achieve this through the pensive act of spontaneous mark making. I conversate with the surface by being responsive to the impact each mark makes, this can range from delicate applications to frantic finger painting, smashing charcoal, the carving of the surface, and the scraping away of paint."

HELEN SAVITA SHARMA
Carrboro, NC
https://helsavwords.com/

Helen Savita Sharma is a librarian and writer working on her first novel from her home in Carrboro, NC. Helen's work has appeared in Okay DonkeyProgenitor Literary MagazineBizarrchitecture, and erato. You can find Helen on X (fka Twitter) @helsavwords, at www.helsavwords.com, or by staking out any Dunkin' Donuts franchise location south of the Mason-Dixon line.
 
Residency Plans: "Using revision processes laid out by Matt Bell, Jessica Brody, and Peter Ho Davies (among others), I hope to use precious time at Trillium Arts this spring to complete significant scene work and evaluate the structure of my novel's second draft. The book, currently titled It Was So Relaxing, is a queer vampire novel that explores how the genre of horror amplifies human experiences of desire, belonging, and self-protection. I will depart the residency with a plan for the third draft and a clear-eyed sense of the structural and thematic underpinnings of the final product."

ALEXANDRA JOYE WARREN
Greensboro, NC
https://www.alexandrajoye.com/

Alexandra Joye Warren is the Founding Artistic Director of JOYEMOVEMENT in Greensboro, NC.   Alexandra is an Assistant Professor and a Director/Choreographer for the Music Theatre program at Elon University. She was recently selected as an Artist-In-Residence for Creative Greensboro and the North Carolina Dance Festival.  Alexandra has completed post-graduate studies at the Yale Summer Directing Intensive, Leadership Initiative Project for Emerging Directors, and at Germaine Acogny’s L’Ecole De Sables in Senegal. Alexandra has presented her scholarship most recently at the International Federation for Theatre Research Conference in Accra Ghana, 2023. She is a contributing author in the newly released book DANCE IN MUSICAL THEATRE: A HISTORY OF THE BODY IN MOVEMENT, Bloomsbury Press. Her most recent projects include Love Notes (Artistic Director and Choreographer) Head Over Heels (Associate Director/Choreographer), 42nd Street (Director), A Wicked Silence: A Choreoplay (Playwright, Director, Choreographer).

Residency Plans: "During this residency, I plan to continue development of the libretto text and music for Rewind:1968a requiem for the possibleRewind:1968 is the second iteration of a series of creative works exploring the history and consequences of the North Carolina Eugenics program. When I first learned about the NC Eugenics program, I felt compelled to bring these stories to light through my artistic practice bringing dignity and respect to the 7,000+ survivors of this program from the 1920s through the late 1970s. During my career to this point, I have mostly focused on cultivating my choreographic and theatrical works as performer, choreographer and director. This residency will allow me to focus on the libretto text, story and dramaturgy for a dance-centered opera."


Follow Trillium Arts on Instagram to witness how these residencies progress!